a short introduction to some of the artists exhibiting their work at
thewhitegallery.
A JUG AND TWO TOMATOES - OIL ON CANVAS, BY MALCOLM CROFT
born in newcastle and brought up in leeds, malcolm moved to london to become a press photographer in the mid-80’s. a job transfer saw him move back up north and he's lived in stockport since 1991. sadly, a serious road accident brought malcolm's photograhic career to an end, but painting has given him new inspiration. "largely self taught, i like to use bold outlines and strong colours in my work. above all I like to see the texture of the paint and the marks that the brush makes. increasingly i find i’m drawn to the more mundane of landscapes; motorways and overgrown riverbanks, railway stations and rusty gasometers. i also like to paint still lives of eclectic groups of objects.
after several years of painting in the spare room at home I have just moved into a studio at vernon mill in stockport, a collective of over 40 painters, sculptors and ceramicists, and am greatly enjoying the company of so many like-minded and creative people."
'DAN' - RECYCLED SCRAP METAL SCULPTURE, BY GAVIN DARBY, OF FRAILLOOP IN NOTTINGHAM.
"frailloop is my description of the world in which we all live. if you take more out than you put back, you break the loop, and it will all come crashing down. we should all try to recycle and reuse as much as possible. this is part of my effort. i cannot claim to be perfect, but I hope to do my bit. if i can make a difference for the good, i’ll feel better about myself...i use metal off-cuts and scrap and give them a second chance at life. sometimes things go well and those results are for sale..."
SHOP WINDOWS - MIXED MEDIA, BY IAN JARMAN.
"i produce cityscapes, nightscenes and landscapes in mixed-media, oils and watercolour. my aim is always to convey atmosphere." ian completed a foundation course at warrington college of art & design, followed by an honours degree in graphic design and illustration at leicester polytechnic. he spent over twenty years in the graphics industry before concentrating on building his own style using mixed media.
ian's work is highly regarded and has been exhibited in galleries across the country. he works out of the longden gallery in macclesfield, which is run by ian and several other established artists.
MUM'S SOUVENIR CUP - PART OF 'HEIRLOOMS AND SOUVENIRS', BY NICOLA JARVIS.
It was in her late thirties when Nicola finally summoned the courage to embark on a career as an artist. Previously, she had worked as a traditional hand embroiderer, teaching and making samples for an extensive client list in the British Fashion Industry. Tired of working to other people's specifications, she started a degree course in Fine Art Printmaking at Manchester Metropolitan University, using drawings and photographs of objects from her childhood home to experiment with various printmaking methods. As a child, Nicola was taught to make things with her hands and this appreciation of the hand-crafted - especially cooking and embroidery - is very evident in her work.
The ceramics featured in the prints exhibited at thewhitegallery are heirlooms and souvenirs belonging to her mother and grandmother, and embody the powerful female influence that helped to shape Nicola's personal culture.
FIELD, BY EMMA KING.
emma is a local artist living, working and exhibiting in bollington and surrounding areas, as well as a lecturer of art in a south manchester college. she graduated from the university of northumbria in 1996 with a ba hons in contemporary art practice, majoring in painting. after a year of voluntary work she trained as an art teacher in secondary education.
'field' is part of a series of paintings originally shown at the arts centre in bollington, and was inspired by the colours and textures of local landscapes...
VESSEL I - PORCELAIN VESSEL, BY CHERYL LEWIS.
cheryl lives and works in buxton, derbyshire. she studied for both a ba and ma in fine are and is a qualified homeopathic practitioner. she says: "the work on display at the white gallery is the beginning of a new body of work exloring the idea of surface. surface in the sense of our outward appearance and the history that leads us to be who we are. the work is process based and arises through the intuitive exploration of materials. the starting point may be a fragment of old lace, a piece of wallpaper or a token from the past. then, through a process of addition and subtraction, an image emerges which maps the totality of it's existence through the traces it leaves behind."
BOLLINGTON HIGH STREET, BY JACK LLOYD
"i work in the photographic medium," says jack, "using digital techniques. compositions are created from multiple images with the intention of conveying a sense of the area. my artwork documents how people use the environment and the marks they leave behind. i walk around the area i intend to photograph and try to capture the many elements, sounds,smells and visual rhythms present. i have never felt that any one shot alone will convey the complete reality of a scene..."
jack's original work for the white gallery offers a unique perspective of the village. as an artist based in manchester, he views things from the outside, presenting bollington in a completely new light.
'PASSAGE' LIGHTBOX, BY LIZ SCRINE
the idea for the passage light evolved from a commission liz did for bristol children’s hospital, where she was asked to make a series of miniature theatre sets inspired by typical fairytale motifs such as ‘the dark forest’ and ‘the labyrinth’. these were set into niches in the wall along the main hospital staircase. each passage light is individually made by liz out of stoneware clay and fired to 1220 deg C. although she uses moulds to make up component parts, most of the work is involved in building up the complex interior by hand.
CERAMIC PIECES, BY JOHN WEBBER
"i make ceramic vessels for the contemporary home. they can be seen as decorative objects, grouped together in small collections or used as individual functional bowls, plates cups etc. .although they are simple forms the vessels start as drawn ideas in a sketchbook before making begins. most of my work is thrown on a potters wheel using a porcelain clay body that fires to a temperature of 1260 degrees centigrade. occasionally i use liquid clay and casting as a process to make more complex forms. i then add hand built elements like spouts and handles.
i am particularly interested in the glazed surface of my pieces. i apply high fired glazes that have their origins in the ceramics of ancient china. these glazes are mixed using natural minerals derived from finely ground felspathic rocks, china clays, wood ashes and metallic oxides. to achieve the qualities of surface and colour, the vessels are fired in a kiln heated by gas and in an atmosphere where the availability of oxygen is restricted. the kiln is fired slowly at first, over an eight hour period, to the required temperature and then left to cool for a further eight hours before the doors can be opened. the individuality of the pieces comes not only from the making process itself but also from the firing process. vessels placed in different parts of the kiln can vary in colour and glaze quality, thickness of glaze can dramatically change the fired result. one of the pleasures of making simple vessel forms in this way is the opening of the kiln and the discovery of a collection of unique pieces, not always successful but always part of a never ending process of learning."
a page from john's sketch book
"I'm convinced that all authentic beauty originates from the natural world," says Dean Entwistle, whose new work now hangs in thewhitegallery. "I try to reflect that in my paintings", he says. "That's what gives me a buzz." 
