Friday, 26 June 2009

local wisdom comes to bollington...

aaron sweater - 'never washed, much loved'







over the last few months, i have been working on a fascinating project called 'local wisdom' with fellow bollingtonian, kate fletcher, who works at the london school of fashion.

kate's research work focuses on the issue of sustainability, and this project is all about how ordinary people connect with their clothes. i have been involved taking photographs for the project which will be part of the 'fashion for good' exhibition in sydney, australia, where kate is giving the keynote speech in july.

we have already visited totnes and worked with members of the community there. now it's bollington's chance to show us what they're made of!

for more information about this project, and to find out how you can take part, please visit www.localwisdom.info

Wednesday, 24 June 2009

THREE SHIRES TEXTILE FESTIVAL 2009

SATURDAY 4 - SUNDAY 19 JULY
SPECIAL SUNDAY OPENING FROM 11-4PM

thewhitegallery is pleased to be taking part in the first Three Shires Textile Festival, which has over 100 events planned around the region.

an exhibitiion of contemporary textile art, 'New Threads', will include work by international artists elizabeth brimelow and claire de ruiter. the windows too, will be bursting with colour as we hang a quilt made entirely from plastic bags by lynn setterington and a silk kimono by anne ward, inspired by her helicopter ride over arctic glaciers.

following the success of the bollington festival, we will also be using the garden summerhouse to hang work by other artists, including felt pictures by suzy shackleton (shown above), silkscreen canvases by designer rachel sumner and quirky stitched hangings by artist jilly duffy unwin. other local artists exhibiting work include angela oswald, dandy lewis and sarah johnson.

the sculpture garden will include new installation pieces by embroidery graduate becky waite, ceramic sculptures by amy daniels and recycled metalwork by gavin darby.

for more information about the festival, please visit www.textilefestival.com.

other bollington events include an exhibition of work curated by anne ford at the arts centre, an exhibition of pictures by dandy lewis at the cafe waterside and an oriental rugs and carpets exhibition at 'the weave' rug shop on bollington road.

for more information about these events, please visit www.happy-valley.org and click on 'the arts'.

stitched violin on paper, by sarah johnson

Thursday, 21 May 2009

dogs love art too...

a wonderful world...

thewhitegallery has been humming, with hundreds of people dodging the rain to come and see jack's exhibition and the secret sculpture garden. it's been a pleasure sharing the space with visitors and receiving such positive feedback. children especially, have enjoyed the animals in the garden and the summerhouse studio has been a big hit, with several pictures sold and lots of praise for local artist, emily mugridge.


gavin darby's recycled metal horse, hercules, has caused quite a stir, with lots of people wondering how on earth we got him up to the top of the garden. the answer is in two pieces.

david broadhurst's little clay men on the top of the summerhouse have also delivered smiles, looking as they do like inmates on the top of a prison roof, trying to escape.








people have also been busy photographing the garden.

jo belfield took pictures as her little boy alex wandered amongst the dingle dangles, made by becky waite out of recycled plastic bottles. when the sun shone, flakes of light bounced off the mirrors and danced around the garden.


thanks to everyone for their kind words and for recommending us to friends and family. due to the success of the garden, we now plan to host a sculpture garden & special summerhouse exhibition every year.

'nosey cow' by emily mugridge (mixed media on board) available to buy at thewhitegallery. please ring for details.

Sunday, 10 May 2009

into the swing...

lady bugs & butterflies filled the streets of bollington, as the festival got underway and the sun shone for the carnival procession.

we had a fantastic day at the gallery, with lots of interest in jack lloyd's exhibition. artist becky waite worked with little people in the garden, making garlands out of petals and leaves made from the laminated pages of old magazines.

the summerhouse exhibition showing work by local artist emily mugridge also proved popular. emily will be here at the gallery over the weekend of 16/17 may as part of the artists' trail.

Monday, 4 May 2009

secret sculpture garden takes shape...

Everything is on schedule for the launch of thewhitegallery’s secret sculpture garden, which opens this week.

Macclesfield artist, Becky Waite, has been putting the finishing touches to her installation piece, ‘Glittering Fall’, which is made entirely of recycled water bottles.

“It took the whole day to install” says Becky, “but I think it was worth it.”














The waterfall is made of hundreds of discarded water bottles which have been beautifully woven with coloured plastic thread and mirrors. When the sun shines it reflects all the light and creates a real sense of water flowing. Even if it rains, it’ll be just as effective.

‘Glittering Fall’ is just one of the sculptures on show in the garden, which includes work by internationally renowned artist Jeff Teasdale and David Broadhurst. Clay sculptures by award-winning graduate, Amy Daniels, also nestle amongst the plants. They have a really organic quality, resembling strange but beautiful alien pods: they look as if they’re about to burst open like something out of Doctor Who!

At the top of the garden sits Hercules, a life-size metal horse made out of old car parts by sculpture Gavin Darby, whose work will be recognised by regular visitors to thewhitegallery.

thewhitegallery sculpture garden is open from 8-25 May between
11-5pm. For further details please contact Fiona Bailey on 01625 260016 or email fionabailey@mac.com

Monday, 13 April 2009

BOLLINGTON FESTIVAL 8-25 MAY 2009

8-25 MAY 11-5PM TUESDAY-SUNDAY : 'THE VILLAGE' PHOTOGRAPHIC EXHIBITION BY JACK LLOYD

8-25 MAY 11-5PM TUESDAY-SUNDAY : 3D SCULPTURE GARDEN WITH SUMMERHOUSE EXHIBITION SPACE

9-10 MAY 11-5PM ARTISTS' TRAIL WEEKEND :
JACK LLOYD & BECKY WAITE OPEN STUDIOS

16-17 MAY 11-5PM ARTISTS' TRAIL WEEKEND :
EMILY MUGRIDGE OPEN STUDIO


thewhitegallery is delighted to be part of this year's bollington festival and we have lots of exciting exhibitions & events planned.

we’re hosting a new exhibition of work by the popular manchester-based photographer, Jack Lloyd, whose images of Bollington (including the evocative 'bollington heights' & the quirky 'palmerston street', both below) have become quite a talking point.




jack will also be taking part in the Artists’ Trail, which happens over two weekends during the festival. the artist will take contemporaneous photographs of Bollington and build a new piece of work from scratch. “it’s a really exciting project,” says jack, “as the work will be very much influenced by the things happening around us on the day.”

visitors to thewhitegallery will be able to watch Jack at work on his laptop, combining image and text to create a unique photomontage of the village, which will be available to buy.

a sculpture garden will also be open at the rear of the gallery, with work by various artists including jeff teasdale, gavin darby and david broadhurst. work by amy daniels, a recent graduate and ‘art in clay’ award winner, will also feature alongside recycled-plastic installations by new artist becky waite.

talented local painter, emily mugridge, will be painting and exhibiting too in the summerhouse as part of the artists’ trail.

FURTHER INFORMATION ABOUT FESTIVAL ARTISTS:

JACK LLOYD

Jack's original work for thewhitegallery offers a unique perspective of Bollington. As an artist based in Manchester he views things from the outside, presenting the village in a completely new light.



“I work in the photographic medium, using digital techniques. Pictures are created from multiple images with the intention of conveying a sense of the area. My artwork documents how people use the environment and the marks they leave behind. I walk around the area I intend to photograph and try to capture the many elements - sounds, smells and visual rhythms – that are present. I have never felt that any one shot alone will convey the complete reality of a scene..."

‘the village’ exhibition includes a series of six original images created specially for the 2009 Bollington Festival. All of the limited edition prints on show are available to buy.

EMILY MUGRIDGE

Emily Mugridge is a painter and Fine Art lecturer. She trained at University College Falmouth and lived, worked and exhibited in Cornwall for several years before returning to Cheshire.














Her paintings are based on rural and urban landscapes. Emily’s primary concern is creating a personal record of ‘how it feels to be somewhere at a particular time’, rather than creating a faithful representation of a place.

A recurring theme in Emily’s work is human impact upon the natural environment - evidence of construction and organisation of land spaces contrasted against natural phenomena.

Emily uses a range of traditional and non-traditional media depending on the overall effect she wants to achieve. She often stitches and folds the canvas before painting, drawing, applying tile grout and collage, scraping, sanding, stencilling, spraying, splattering and washing the work to build up layers of texture and colour.

GAVIN DARBY


Based in Nottingham, Gavin Darby works with scrap metal to recycle it into birds, flowers, dogs, or anything else it wants to be. The raw material is found in the skip of an agricultural engineer, fly tipped, discovered or donated.

Where possible the found material is not heavily worked, so traces of its previous life are visible. The finished piece is not painted or chemically treated but left to react to its environment and to weather in.

Gavin’s snails in particular have proved very popular in Bollington, adorning mantle pieces and gardens around the village: if you drive to the end of Water Street and look up to your right, several of the little critters decorate the iron railings of a roof garden.



The full size horse exhibited in the sculpture garden took Gavin three months to construct and is made entirely of recylced metal - the legs and body used to be a shop security grill, the hooves are pistons, the shoulders are car suspension arms & the twirly bits are electrical cable.

As well as selling his work through galleries and his own business, Frailloop, Gavin has worked on a variety of commissions designing sculptures for hospitals and schools. He has also made a pair of 20 foot high cricketers out of scaffolding for a village in Northamptonshire.

AMY DANIELS

Amy Daniels is a ceramic artist making sculptural objects for indoor and outdoor spaces.



Inspired by junkyards, she collects obsolete objects and examines their qualities, striving to recreate the details seen in discarded metal and the deteriorating surfaces of old industrial structures. The effects of nature and time on the artefacts of urban life are important aspects: rust, cracks, bright layers of peeling paintwork and rough, worn edges are the qualities she transfers through her work.

Each piece has a unique surface and form, and is slab built using crank clay. A geometrical shape is often used as a body to carry intricate and delicate surface details. The piece can then be sited in a garden setting, and allowed to slowly become part of its environment, echoing the beauty in discarded junkyard treasures.

Amy Daniels won a Highly Commended Student Award at the Art in Clay Ceramics Festival at Hatfield House in 2007 and in
March 2008, her work was featured in Craft&Design Magazine.

DAVID BROADHURST

Born in south Manchester, David spent three years on the south coast training to be an art teacher. He then returned to the north- west to teach in Cheshire. After a long and fulfilling career in primary education David retired from full time work in 2007. He is presently enjoying a busy life that includes serving Bollington as its Town Clerk, leading art workshops in schools and working with the education faculty at Manchester Metropolitan University. David illustrates and paints in watercolour and acrylic. He also hand builds quirky models in earthenware clay. David also works in schools creating large painted boards for installation in play spaces.

For his contribution to thewhitegallery sculpture garden, David has created two whimsical little figures out of clay, to be found climbing the summerhouse roof.

JEFF TEASDALE

Much of Jeff’s work is sculptural and combines a love of earthy textures and colours translated into raku ceramics, with other ‘found objects’ incorporated into them, such as pebbles, sticks, bones and stones collected from the landscapes he happens to find himself in at the time.In 2007, Jeff designed some wall sculptures for the ‘Purple Stripe’ entry by Macclesfield Borough Council at the Royal Horticultural Show in Tatton Park. The MBC ‘small garden’ theme was to illustrate just what was possible when transforming a small back-yard, the like of which is common in Macclesfield and Bollington, into a garden of limited space. Jeff used roof slates as a base and a spiral motif of ‘found objects’, all of which had been unearthed when digging gardens – old plant pots, pebbles, bits of china, and broken mirrors and glass. The spiral was inspired by snails - ‘our garden is alive with them; they have probably lived here since long before our Victorian house was built, and will no doubt still be here long after it has gone!’’ It is also a potent form in terms of shapes found in nature (ammonites, pine cones, leaf stems for example) and thus mathematics, and Henri Matisse’s study of nature was reduced to this common but most complex of forms.

BECKY WAITE


Becky Waite was born in Macclesfield in 1986. She studied embroidery at the Manchester School of Art.

Becky’s work explores the jewel-like potential of discarded waste and takes the form of sculptural pieces and window installations. A love of light and the pure sensory energy of illuminated colour informs much of her work.

During several trips to India, Becky learnt traditional folk embroidery techniques such as aari and mirror work, which she incorporates into her art, juxtaposing the traditional with the avant-garde.

Becky’s installation art for thewhitegallery sculpture garden was inspired by her graduation chandalier made entirely of recycled plastic bottles. She wanted to recreate that sense of light playing on plastic, and both the canapy and her dingle dangle trees reflect her love of sunshine and colour.

BOLLINGTON FESTIVAL ARTISTS' TRAIL MAPS & SOUVENIR POSTERS

thewhitegallery has helped to produce the open studios map for the artists' trail, illustrated by local artist and gallery exhibitor, dean entwistle.

please visit the gallery to pick up a map and also buy a souvenir colour poster which we've had printed as an additional fund raiser for the festival. other venues selling the poster (for £2) include the post office, the library and the festival box office.

Monday, 16 March 2009

jenny hirst at thewhitegallery...


We are delighted to welcome local artist Jenny Hirst to thewhitegallery.

Jenny ran an interior design business for nine year's before deciding to return to college six years ago to study Art and Design. Working from her studio at home in Alderley Edge, Jenny has exhibited in Cheshire, Manchester, Derbyshire and Wales as well as working on several commissions for homes and offices.

Mainly she takes her inspiration from the landscape around her, whether rural or urban, and she is particularly interested in the juxtaposition between manmade structures and the natural landscape.

Jenny works by making quick sketches and taking photographs in situ to capture the atmosphere of a place before developing these ideas back in her studio.

She works in various mediums including paint, charcoal, ink, pastel, collage and monoprint and is very interested in bringing texture into her work using various techniques to achieve this such as scratching and rubbing into the paint to reveal the layers beneath. Most of her work is semi abstract, giving the viewer a hint of the subject matter without it being a true representation.

Work currently on sale at thewhitegallery include paintings of Vietnam, Greece and Kinder Scout in the Peak District - an eclectic mix which illustrates the richness and variety of Jenny Hirst's work.

Friday, 16 January 2009

love, love, love...

after the chaos of christmas and the turning of the new year, it's nice to stop and think.

there is so much to look forward to at the gallery: new arts and crafts; new cards and stationery; new exhibitions; the bollington festival in may and the three shires textile festival in july.

with valentines day just around the corner and hyacinth bulbs popping in the garden, what's not to love.

Saturday, 6 December 2008

new artists & designers bring festive cheer...

this christmas time, we are delighted to introduce a whole bundle of new artists and designers, whose original work can be seen for the first time at thewhitegallery.


















'dark shore' is one of three new oil paintings by zelda pickup, an artist from alderley edge who is quietly making waves.

other new artists include barry wigzell, di metcalfe, janet rigby and david evans, whose intricate three dimensional pictures, handpainted in watercolour, can be seen both in the window - the amazing 'babel table' which took four months to create - and on the walls.



etchings by popular local artist, jane osmond, are also now available for sale. some are especially poignant at this time of year, depicting snowy scenes of white nancy in the moonlight or tiny sledgers on blaze hill.















a warm welcome is also extended to textile artists rachel sumner, anne ward, jilly unwin-duffy and gemma lockwood, whose beautiful and unique aprons and tea-towels adorn the mannequin in our window, like some winter bride.

handmade cushions decorated with chandelairs and sparrows by young textile graduate, rebecca wilson, dress the sofa and ceramic tiles & bowls by manchester artist, lee page hanson, brighten the interior.


















this has also been a busy time of year for fionabaileyphotography and earlier this month i spent a lovely morning taking photographs of the smith family. this is just one of the images - of charlie - which we took on white nancy early one sunday, as the sun came up...

Saturday, 8 November 2008

the calendar boys...



Bollington's Calendar Boys are out and proud at thewhitegallery. Please call in to buy a copy or order online at www.bollingtonfestival.org.uk

Friday, 4 July 2008

new paintings by bollington artist dean entwistle...


"I'm convinced that all authentic beauty originates from the natural world," says Dean Entwistle, whose new work now hangs in thewhitegallery. "I try to reflect that in my paintings", he says. "That's what gives me a buzz."

Originally an illustrator, Dean worked on projects as varied as designing postage stamps for the Republic of Ireland, illustrating travel guides and painting dolphins for the Sultan of Imman. He now paints full time, using only watercolours which he loves for their "subtle and responsive" nature.

The two new pictures, 'Windgather Rocks' and 'Shuttlingsloe', are strong examples of Dean's use of colour and detail. Looking at the nightscape of Shuttlingsloe - with the moon and the snow - makes you want to whisper for fear of disturbing the peace. The energy of Windgather Rocks, on the other hand, makes you want to shout into the wind.

Both pictures are available as framed limited edition prints from thewhitegallery.

Friday, 20 June 2008

bangles and baubles...














derbyshire designers jenny young and rachael marnoch have sourced both fairtrade and recycled materials for their new range of beautiful handmade jewellery, 'earth', available now at thewhitegallery. each piece is unique and is created using a combination of wood, glass and metal such as brass and pewter. a range of silver jewellery made from silver clay - a bi-product of the medical industry - will be available soon.

Saturday, 10 May 2008

thewhitegallery welcomes amanda wigglesworth....

'The Gathering' by Amanda Wigglesworth

Amanda Wigglesworth studied Art and Design at Manchester Metropolitan University. She first gained exposure in 2003 when she was a prize winner at the Birmingham Royal Open. Since then she has exhibitied in Cheshire, Harrogate, London and most recently at the City Inn, Manchester.

Amanda's work reflects the changing nature of Manchester's urban landscape, its people, buildings and unique atmosphere. Her work communicates the vibrancy of the city and is achieved by building up layer upon layer of paint and then scraping through to the canvas.

shine a light....

Inspired by the beauty and simplicity of nature, artist Hannah Nunn designs a range of lamps and shades to bring the beautiful botanical world into your home.

New to the white gallery, Hannah's lamps are available in a variety of sizes and designs. Each table lamp is freestanding and comes with a two metre cable and 40 watt bulb.

Friday, 18 April 2008

new photogravures by harold thompson...


Working out of his studio in the Derbyshire hills, artist Harold Thompson uses the traditional printing method of photogravure to produce beautiful nudes, now showing at thewhitegallery.

Photogravure is a process which uses gelatin to transfer an image from a black and white negative to a copper printing plate. The gelatin carries the image because it hardens in proportion to its exposure to light. Areas of the gelatin not exposed stay soft and can be dissolved away in water. What remains is a gelatin version of the image which is then pressed onto a copper plate. The plate is placed in an acid bath. Where the gelatin is thick, the acid eats the metal away slowly, where the gelatin is thin or absent, the acid eats faster. Thus the plate is etched to different depths according to the tones of the original image. When inked for printing, the varying depths hold different amounts of ink.

Friday, 7 March 2008

easter at thewhitegallery...

artist and designer, lindsey vigurs, creates cakestands out of vintage plates and glasses found at charity shops and car boot sales. a fantastically inventive way to recycle all those odd pieces of china, lindsey's work is now on sale at thewhitegallery in time for easter and beyond.

Thursday, 7 February 2008

an invitation to our first exhibition - 'marrakech' by ewa james: sat 1 - sat 15 march 2008


Here at the white gallery we're delighted to be hosting our first exhibition by local photographer, Ewa James.

‘Marrakech’ brings together a collection of fascinating images that portray this Moroccan city from a very individual point of view. Taken using old film stock and a plastic ‘toy’ camera, each photograph bristles with atmosphere, each picture seeming to tell a story: the old man sitting by the bread oven, the mule and cart being driven through the marketplace. Although these pictures are contemporary, the style and format – a halo of darkness around the edges, sepia tones, saturated colours – evoke a sense of the past. “I have noticed that the best photos are those taken before I get familiar with the environment”, says Ewa. “Before I fully integrate, stop seeing and start taking what surrounds me for granted.”

Originally from Poland, Ewa moved to Bollington after she got married and continued to work in advertising, although her real passion is photography. A confirmed technophobe, Ewa relies on instinct when it comes to taking photographs. “I am still ignorant about aperture, focus and shutter speed”, she says. “I shoot with intuition and I think my role in the process is to spot a subject, point at it and click.”

q) When did you first start to take photographs?

I have been interested in photography for some time. My husband was a professional photographer and would talk to me about light and techniques, but all I absorbed was the final product of his work rather than the technicality. I had my own ideas - I always wanted to capture contrast.

q) Have you always used a holga - what do you like about this type of so-called 'toy' camera?

Three years ago a friend of mine told me about Holgas and the ‘toy camera world’, where your attitude towards taking pictures is more important than the quality. The best part for me is the unknown and unexpected. This is where I see the advantage of film cameras over digital. I hardly ever use the viewfinder so I don’t really know how I capture the photo. I may not know for a long time, until the film is developed. And then there is a surprise, or disappointment, with what I imagined would be. It is also raw. I hardly ever enhance photos digitally – only if I have to remove dust or salvage a frame – and sometimes it’s great if they are over or under exposed too.


q) Tell us about your marrakech images.

There are a few reasons why I think ‘Marrakech’ is successful. Firstly, my attitude towards travel – I am not a touristy kind of person and everywhere we go we want to get a ‘feel’ and be a part of the place. I suppose that helps you ‘look down’ while others ‘look up’. I am lucky as my husband is exactly the same and we want the same things and travel together very well. Secondly, it is difficult to take pictures without being asked for a few Euros, so most (but not all) of my photos are taken ‘from the hip’ – that’s why there are so many unusual crops and angles. Also, by accident I packed lots of black and white film although Marrakech meant colour to me and I intended to use colour film only. So in a way I was forced to use black and white and now I don’t regret it. Lastly, the collection works I think because of one very simple thing - the light of Marrakech in winter.

q) Your photographs have a very particular point-of-view: they seem almost secretive or stolen - is this intentional?

There is little intention in my photography. Most pictures are spontaneous. Some of them may be intentional but I don’t have full influence on what comes out in the end. Or maybe the intention is to find something - that’s my role - and to give it a different look – the camera’s role.

q) You work in advertising and your photographs are very compelling - each one seems to tell a story. if just one of your marrakech series could be used to advertise a product, what would that be and why?

This is difficult. I am an advertising director not an advertising art director. I think maybe my photos could advertise the camera itself. What you can do with it. Forced to think about it maybe they would be best conveying an emotional message rather than a product-based one. The photograph of sheep being herded, ‘wool in motion’, could be for quality carpets…or the berber in blue could symbolise airline hospitality...perhaps the Volvo & Donkey could communicate a sense of reliability, something that doesn’t break down...

q) What else do you have up your sleeve?

I have built my own scarecrow and I take him everywhere with me. Not to landmarks, but to places you would least expect to meet him. I will publish the first pictures before the end of the year. I’d really like to show my ‘Arizona’ series in America (see ewa’s website for images) and I’m hoping we can go to South America soon too. I would also like to capture central Asia, for example, Uzbekistan, but I need to work on my husband to let me….

to see more of ewa's work visit her website at www.flickr.com/photos/ewaj

Thursday, 31 January 2008

land falls at the white gallery...the new year brings new artists.

local artist, carlo eves, takes inspiration from his native italy and the hills around bollington, to create beautiful landscapes in mixed media.



'land falls' is a large painting in five sections, like panes of stained glass that hang together to make a whole. the landscape drifts between each window making you look again and again at each part, your eye following the paths and contours of the land.

the last few months have been really exciting for us at the white gallery. there has been a tremendous response to our framing business and pictures are selling well. there is a huge demand for local scenes - a reflection of just how special the village is to the people who live here - and jack lloyds's photomontages of palmerston street and the surrounding hills have proved especially popular. oil paintings by bollington artist and part-time teacher, christine anne sharrock, have also sold well, with sea scapes of st ives flying off the walls. chris and her husband, dave, have a house there and it obviously provides a deal of inspiration for the artist whose particular skill lies in creating a sense of movement and light.

Tuesday, 18 December 2007

fun on a sunday...




my first official white gallery commission and what a lovely job. originally asked by helen to photograph four children, 2 horses and a dog i was reminded of that famous phrase about children and animals, but it never came to pass. ted, ev, gabriel and joshua where a delight, and reggie the dog was just fantastic, lying about the place looking enigmatic...

Thursday, 6 December 2007

winter at thewhitegallery...















with christmas in the air, i wanted to introduce some new things to the gallery, which would hopefully intrique and inspire....

local artist ian jarman created a beautiful new picture in mixed media - angels in albert square - which sits in the fire place of our new window display, alongside an etching of white nancy by macclesfield-based artist, karen anthony. karen also made the stockings which hang from the mantle piece, using her imagination and lots of recycled textiles, including photocopied maps of bollington. look closely to see the fantastic amount of detail and intricate stitching used to create these heirlooms.


















the work of ewa james (originally from poland but now living in bollington) is also new to our walls. her photographs, taken using a plastic holga 'toy' camera are fascinating explorations of journeys and points-of-view. a self-confessed technophobe where cameras are concerned, ewa's talent nevertheless shines through. it's perhaps precisely because of her simple point-and-shoot technique that ewa's picture's are so effecting. an exhibition of ewa's 'marrakesh' series will premier at thewhitegallery in the new year.

designer claire elsworth, of whaley bridge-based company 'durier', has provided our white sofa with some fabulous new cushions for sale...








...and derbyshire-based woodturner matthew lovell has created some very tactile (and sustainable) wood bowls and dishes.


the oak, ash and birch colours of his wood perfectly compliment the textiles used by karen anthony to create her range of 'bitsbox' bags and bangles which we are now selling, alongside her popular 'book in a bag' (it's just that - a beautiful book, in a beautiful bag) and some unique evening bags which are all made from vintage fabrics - including some that have a wonderful, local theatrical history.

Thursday, 29 November 2007

woodturning at thewhitegallery...handmade sustainable wood bowls, by matthew lovell

Wednesday, 14 November 2007

our featured artists...

a short introduction to some of the artists exhibiting their work at
thewhitegallery.

A JUG AND TWO TOMATOES - OIL ON CANVAS, BY MALCOLM CROFT

born in newcastle and brought up in leeds, malcolm moved to london to become a press photographer in the mid-80’s. a job transfer saw him move back up north and he's lived in stockport since 1991. sadly, a serious road accident brought malcolm's photograhic career to an end, but painting has given him new inspiration. "largely self taught, i like to use bold outlines and strong colours in my work. above all I like to see the texture of the paint and the marks that the brush makes. increasingly i find i’m drawn to the more mundane of landscapes; motorways and overgrown riverbanks, railway stations and rusty gasometers. i also like to paint still lives of eclectic groups of objects.

after several years of painting in the spare room at home I have just moved into a studio at vernon mill in stockport, a collective of over 40 painters, sculptors and ceramicists, and am greatly enjoying the company of so many like-minded and creative people."


'DAN' - RECYCLED SCRAP METAL SCULPTURE, BY GAVIN DARBY, OF FRAILLOOP IN NOTTINGHAM.

"frailloop is my description of the world in which we all live. if you take more out than you put back, you break the loop, and it will all come crashing down. we should all try to recycle and reuse as much as possible. this is part of my effort. i cannot claim to be perfect, but I hope to do my bit. if i can make a difference for the good, i’ll feel better about myself...i use metal off-cuts and scrap and give them a second chance at life. sometimes things go well and those results are for sale..."


SHOP WINDOWS - MIXED MEDIA, BY IAN JARMAN.




"i produce cityscapes, nightscenes and landscapes in mixed-media, oils and watercolour. my aim is always to convey atmosphere." ian completed a foundation course at warrington college of art & design, followed by an honours degree in graphic design and illustration at leicester polytechnic. he spent over twenty years in the graphics industry before concentrating on building his own style using mixed media.

ian's work is highly regarded and has been exhibited in galleries across the country. he works out of the longden gallery in macclesfield, which is run by ian and several other established artists.


MUM'S SOUVENIR CUP - PART OF 'HEIRLOOMS AND SOUVENIRS', BY NICOLA JARVIS.

It was in her late thirties when Nicola finally summoned the courage to embark on a career as an artist. Previously, she had worked as a traditional hand embroiderer, teaching and making samples for an extensive client list in the British Fashion Industry. Tired of working to other people's specifications, she started a degree course in Fine Art Printmaking at Manchester Metropolitan University, using drawings and photographs of objects from her childhood home to experiment with various printmaking methods. As a child, Nicola was taught to make things with her hands and this appreciation of the hand-crafted - especially cooking and embroidery - is very evident in her work.

The ceramics featured in the prints exhibited at thewhitegallery are heirlooms and souvenirs belonging to her mother and grandmother, and embody the powerful female influence that helped to shape Nicola's personal culture.


FIELD, BY EMMA KING.

emma is a local artist living, working and exhibiting in bollington and surrounding areas, as well as a lecturer of art in a south manchester college. she graduated from the university of northumbria in 1996 with a ba hons in contemporary art practice, majoring in painting. after a year of voluntary work she trained as an art teacher in secondary education.

'field' is part of a series of paintings originally shown at the arts centre in bollington, and was inspired by the colours and textures of local landscapes...


VESSEL I - PORCELAIN VESSEL, BY CHERYL LEWIS.

cheryl lives and works in buxton, derbyshire. she studied for both a ba and ma in fine are and is a qualified homeopathic practitioner. she says: "the work on display at the white gallery is the beginning of a new body of work exloring the idea of surface. surface in the sense of our outward appearance and the history that leads us to be who we are. the work is process based and arises through the intuitive exploration of materials. the starting point may be a fragment of old lace, a piece of wallpaper or a token from the past. then, through a process of addition and subtraction, an image emerges which maps the totality of it's existence through the traces it leaves behind."





















BOLLINGTON HIGH STREET, BY JACK LLOYD

"i work in the photographic medium," says jack, "using digital techniques. compositions are created from multiple images with the intention of conveying a sense of the area. my artwork documents how people use the environment and the marks they leave behind. i walk around the area i intend to photograph and try to capture the many elements, sounds,smells and visual rhythms present. i have never felt that any one shot alone will convey the complete reality of a scene..."

jack's original work for the white gallery offers a unique perspective of the village. as an artist based in manchester, he views things from the outside, presenting bollington in a completely new light.


'PASSAGE' LIGHTBOX, BY LIZ SCRINE
the idea for the passage light evolved from a commission liz did for bristol children’s hospital, where she was asked to make a series of miniature theatre sets inspired by typical fairytale motifs such as ‘the dark forest’ and ‘the labyrinth’. these were set into niches in the wall along the main hospital staircase. each passage light is individually made by liz out of stoneware clay and fired to 1220 deg C. although she uses moulds to make up component parts, most of the work is involved in building up the complex interior by hand.

CERAMIC PIECES, BY JOHN WEBBER
"i make ceramic vessels for the contemporary home. they can be seen as decorative objects, grouped together in small collections or used as individual functional bowls, plates cups etc. .although they are simple forms the vessels start as drawn ideas in a sketchbook before making begins. most of my work is thrown on a potters wheel using a porcelain clay body that fires to a temperature of 1260 degrees centigrade. occasionally i use liquid clay and casting as a process to make more complex forms. i then add hand built elements like spouts and handles.

i am particularly interested in the glazed surface of my pieces. i apply high fired glazes that have their origins in the ceramics of ancient china. these glazes are mixed using natural minerals derived from finely ground felspathic rocks, china clays, wood ashes and metallic oxides. to achieve the qualities of surface and colour, the vessels are fired in a kiln heated by gas and in an atmosphere where the availability of oxygen is restricted. the kiln is fired slowly at first, over an eight hour period, to the required temperature and then left to cool for a further eight hours before the doors can be opened. the individuality of the pieces comes not only from the making process itself but also from the firing process. vessels placed in different parts of the kiln can vary in colour and glaze quality, thickness of glaze can dramatically change the fired result. one of the pleasures of making simple vessel forms in this way is the opening of the kiln and the discovery of a collection of unique pieces, not always successful but always part of a never ending process of learning."

a page from john's sketch book

the gallery opens...













what a fantastic start. we opened our doors at ten o'clock and i didn't sit down for the rest of the day. dan coloured an open and closed sign and helped me to put out the trees. at two minutes past ten our good friends craig and judith arrived from levenshulme, and from then on a steady stream of friends and local people wishing us well, kept us busy. some of the artists too, joined us to celebrate and by five o'clock we'd sold several paintings and a buddle of cards. john's pottery was popular too.

on monday (even though we're closed) some new friends asked if they could buy a few last minute gifts. not a problem - one of the joys of living on the property. individual viewings are definitely something we want to promote, as we realise our school-friendly hours won't suit everyone. we're also going to open extra days in the run up to christmas.

Sunday, 4 November 2007

a cup and saucer, by john webber...

the art...















the first pictures have arrived and i am surprised by how emotional i feel. when malcolm croft delivered his oils on thursday, we propped a couple of the larger canvases on the sofa and just stood for a while, looking at them. the white room suddenly seemed alive with colour...i saw malcolm's work for the first time a couple of weeks ago when i went to an open exhibiton at vernon mill in stockport. his brother and mum where there, obviously so proud. i was immediately taken by a portrait of a young boy, who turned out to be malcolm's son. i also loved his 'kippers' on a plate. the next morning - unable to shake those kippers from my head - i emailed him to see if he'd like to hang in the gallery. fortunately he said yes.

jack lloyd (whose team at the creative recycling gallery in chorlton, will be providing the framing service for the gallery) arrived yesturday with his photographs, and also mine. when i saw the one i call ''the sound of music' (a blue tinged picture of my daughter carrie in the spainish mountains with my brother's dog in the foreground) i actually cried! ridiculous i know, but testament perhaps to the effect a photography can have on you - that holiday was one of the loveliest we've shared as a family.

jack has done some really unusual photo-montages of the village which are going to look great on the walls and in the window and will hopefully make people stop and look. another artist, cheryl lewis, has dropped off her ceramics - big beautiful pots with discs of porcelain that hang around the neck.

the biggest challenge now will be hanging the pictures - who knows how the walls will behave! hopefully better than our old house in levenshulme, which spat out the nails we hammered in, like a child refusing calpol.

Tuesday, 30 October 2007

the postcards...














The postcards have come back from the mill and look great. I only hope that people are intrigued by the images and want to know more.

For some reason it seems to be taking an age to get the signage sorted. Original etched vinyl lettering on the front window had been there 24 years and the shadow of 'Greenhouse Gallery' seemed destined to haunt us. Eventually though a very nice bloke from b&b signs in the village dropped by with some noxious fluids which did the job.

Monday, 29 October 2007

the best bit...

It all feels very real at last. some wonderful artists have agreed to show their work in the gallery and from the end of this week I can start to hang pictures.

It's been strange, filling the space - first a sofa, then a desk - but still no paintings, a little like a stage with props but no performers.

Tuesday, 23 October 2007

dan gets comfy...


Dan likes the new sofa.

The children think it's fantastic to skate up and down the wooden floors with just their socks on.

The cat - called blue, although he's actually black - is banned.

Friday, 12 October 2007

the new white....



We finally chose to paint the exterior of the gallery 'swansdown', which is almost white, but isn't. Originally I had wondered about dark grey (and all the colours inbetween, hence the myriad of tester pots in the kitchen) but decided it would look too funerial and went for something bright and clean instead.

We've had lots of positive feedback over the last couple of days which is fantastic, and by next week we should be able to start dressing the gallery. Several artists have arranged to visit and view, and I'm confident they will want to exhibit in the space.

Nick at Polite Printing up at Clarence Mill is taking care of the promotional material, and I'm now able to start thinking about advertising and marketing the gallery in time for the launch.